I began by teaching myself how to make beats on FL Studio, experimenting with sounds and arrangements as a form of self-expression. What started as curiosity gradually became more intentional, as I realized music was a powerful way for me to translate emotions and experiences into sound.

I’m influenced more by atmosphere and feeling than by specific artists. Late-night cities, solitude, films, old records, and quiet emotional moments play a big role. Genres like house, ambient, lo-fi, and jazz have shaped how I think about space, silence, and imperfection in music.

Most tracks start with a simple mood—usually a chord progression or a melody played on keys. From there, I build slowly, letting the track breathe and evolve naturally. I don’t rush the process; I like to sit with a track over time until it feels emotionally complete rather than technically perfect.

I enjoy quiet time—watching films, walking at night, reflecting, and observing everyday life. Those moments often end up feeding back into my music in subtle ways.

Midnight Orchestra was created as a collection of late-night reflections. It’s about loneliness, beauty, stillness, and the emotions that surface when everything is quiet. Each track feels like a different scene, but together they form one continuous atmosphere—like walking through a city after midnight with your thoughts as the only soundtrack.